Some of the highlights from our trip to Art Basel | Hong Kong last week and other fringe events during the same period.

Eddie Hara presented ‘Deep Polluted Sea Creatures’ sculptures and paintings at Galeri Semarang’s booth (ID) at Art Basel | HK.

Yayoi Kusuma had a joint-solo exhibition at Art Basel | HK presented by Ota Fine Art (SG) in collaboration with Victoria Miro Gallery (UK).

A section of the installation ‘The Universe of Naming’ by Qiu Zhijie at Spring Workshop located in Aberdeen, HK.

Another view of the installation ‘The Universe of Naming’ by Qiu Zhijie at Spring Workshop located in Aberdeen, HK.

“A Journal of the Plague Year : Fear, ghosts, rebels. SARS, Leslie and the Hong Kong story” presented at Para/Site in Sheung Wan, HK.

Apichatpong Weerasethakul’s Morakot (Emerald) was specially presented on the 5th Floor of a private flat in Sheung Wan, outside of Para/Site’s space.

Ai Weiwei’s installation of tinned milk powder in Sheung Wan Civic Centre is also part of the extended show from Para/Site.

Ming Wong’s cinematic posters displayed in Sheung Wan Civic Centre, also part of the extended show from Para/Site.

Sutee Kunavichayanont’s video projection of ‘The Class’ is part of the exhibition ‘Subjective Truth’ presented at 10 Chancery Lane’s Gallery off Hollywood Road.
(RN)
Tags: 10 Chancery Lane, 100 Tonson, Ai Weiwei, ARDNT, Art Basel, Chatchai Puipia, Drawing Room, Eddie Hara, Eko Nugroho, Hong Kong, Jose Legaspi, Marc Quinn, Para/Site, Qiu Zhijie, Semarang, Spring Workshop, Sutee Kunavichayanont, Tawatchai Puntusawasdi, White Cube, Yao Peng, Yayoi Kusuma